Director: David
Fincher | Starring:
Jake Gyllenhaal, Mark Ruffalo, Anthony Edwards,
Robert Downey Jr., Brian Cox, Chloë Sevigny
Released: 2007
| Runtime: 162m
| Rating (out of 5):
***½ |
|
This one has been on
my list for quite a while now, but for some reason it has eluded me
while other complete pieces of shit have burned themselves into my
retinas. Why, I ask, am I so discerning when it comes to the books
I read, but will watch any old crap that rolls my way? Because. Because
sometimes I enjoy seeing poorly made movies. I like seeing drek and
wondering how or why they got made. Or I watch movies as mere background
noise (see all Drew Barrymore and Kate Hudson vehicles). Books take
more concentration and, honestly, more time. So maybe Zodiac
got the axe on so many occasions because of its 162-minute running
time. That’s a lot to invest on a weeknight, and I like to think
I have something better to with my weekends than sink into the couch
for almost three hours--but, truth be told, I do not.
So I settled in to watch Zodiac one Saturday night with Comcast’s
wonderful On Demand service (dripping sarcasm anyone?) and prepped
myself for a David Fincher gore fest. After all, this is the guy who
had us watch Jared
Leto’s pretty face graphically get turned into hamburger
meat in not one, but two, of his films (Fight
Club, Panic Room). Not having great
recollection of how Zodiac killed his victims, I had visions of a
dude slowly getting his skin sliced off, or hatchets hitting bone,
etc. In other words, Fincher doesn’t, uh, flinch when it comes
to showing the darkness and vileness at the core of evil. It turns
out this isn’t that kind of movie.
Far from a slasher or a serial killer movie, really, Fincher’s
film concentrates on the destructive nature of obsession. And, in
this case, it’s not the killer who is obsessed, but the men
chasing him. Our two main men in the middle of the investigation turn
out to be a reporter, Paul Avery (Robert Downey Jr.), and a cartoonist
for the San Francisco Chronicle, Robert Graysmith (Jake Gyllenhaal).
Avery clearly has his own demons he’s battling, including a
nasty habit of drinking entirely too much too often, but the Zodiac
killer provides him with something to obsess about besides his own
self-destruction. Avery, a young husband and father, is just an awkward
newspaper employee who originally takes on the Zodiac killer challenge
as a hobby, but it quickly turns into something far more important
to him. Their motivations are different on the surface, as Avery just
wants accolades or career kudos for breaking the case, while Graysmith’s
motivation seems much more altruistic, as he empathizes with the victims
and feels he needs to solve it in order to stop the killing of innocents.
Fincher’s pacing is always very even in his films. He doesn’t
do what you’d expect in terms of the typical thriller slow burn
into frenzy and ultimate shoot-out with the bad guy, etc. This movie
is no exception, and I’m sure to some might come off a little
on the boring side. How you could be bored in a Fincher film is beyond
me, what with his frames always filled with interesting images, set
design and character reaction, but there are sections that almost
sag. But he keeps that underlying charge going, building subtle tension
in scenes that are taught even when not a whole lot is going on. Throw
in Mark Ruffalo’s cop, David Toschi (on whom Eastwood’s
Dirty
Harry character was based), who is also obsessed, and ultimately
defeated by the Zodiac’s taunting, and you have a great bellwether
to balance the two other guys involved in the case--one of whom spirals
into alcoholism, drug addiction and career suicide, and the other
whose obsession becomes his life, replacing his family on the priority
list. Ruffalo, whose job it is to actually find the killer comes to
the realization that it can’t be his sole reason for living,
and pulls the plug in a responsible way in terms of maintaining his
own sanity and the sanity of those around him. Not so much for the
others.
Ultimately the crime goes unsolved, which is of course a little frustrating
after sitting through two hours and forty minutes of film, but it
is a true story after all, so it kind of had to end that way. Since
the movie is based in part on Graysmith’s book he wrote about
his research, there are theories espoused about who the killer is,
but those conclusions are controversial and completely circumstantial.
Fincher plays it close to the vest in terms of who he feels did it,
but seems to lean in the direction of Graysmith’s theory. Because
of the ambiguous ending, the narrative doesn’t necessarily follow
the clean course that most whodunits seem to follow. There are multiple
“aha!” moments and several red herrings along the way
for both the viewer and the characters themselves. The killer’s
murders are so disjointed and oddball that it even occurred to me
at one point that it wasn’t the same guy perpetrating all of
the murders. In fact that seemed to be what they were insinuating
in the movie, but I’m not really sure. Was it the Zodiac taking
credit for murders he didn’t do, or copycats doing their best
imitation? I might have been remembering the fact that there was in
fact a copycat murderer in NYC in the early nineties. Who knows? Anyway,
they seem to put a lot of credence in handwriting analysis and whatnot,
which all seems like a lot of crap considering the letters themselves
could have been written by somebody other than the killer or with
the wrong hand or whatever. Now who’s getting obsessed?
Anyway, I’m the one who always watches the Dateline
murder mysteries, so I’m kind of a built in audience for this.
I did feel it got a little muddled in the middle as we tried to work
through what was a real murder and what wasn’t and who did what.
And the Zodiac showing up with his bizarre black KKK get-up on a hillside
with a knife was bordering on comical (also leading to my disbelief
this was the same guy who shot a couple in a car in the beginning
of the movie sans costume), but apparently this was his shtick. Ultimately
the guy was an enigma, and clearly deluded to the point that he was
just too crazy (cuz he didn’t seem all that bright) to get caught.
[DVD]
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