Director: Adrienne
Shelly | Starring:
Kerri Russell, Nathan Fillion, Cheryl Hines,
Jeremy Sisto
Released: 2007
| Runtime: 116m
| Rating (out of 5):
**½ |
|
This thing had all the
earmarks of a successful indie movie. It had some marginally recognizable
actors, a simple premise about simple people and some built-in buzz
due to the untimely death of its writer/director/supporting actress,
Adrienne Shelly. Not only was Shelly murdered, but it was front-page
stuff because of its bizarre nature. And, of course, there's the whole
Hollywood story that the press eats up about how she died right before
her great triumph that would have catapulted her into the stratosphere
was released. As usual, I have to be the buzzkill and temper the enthusiasm
and runaway speculation. While Shelly did make a cute movie with some
quirkiness in it, she also made a film full of clichÃŒd characters,
schmaltzy sentimentalism and a hokey ending that would put John
Hughes to shame. The funny thing is that while writing this it
took me several seconds to remember who the lead actress was in the
film. While Kerri Russell is cute and a decent actress, she is just
entirely unremarkable. She kind of blends in with several hundred
other thin, blonde actresses of her ilk that line the credits of films
and TV. I remember everyone else from the cast, but she just kind
of slips your mind for some reason. Jeremy Sisto, playing Russell's
controlling, backward husband is by far the worst thing about the
movie. He is terribly miscast as a violent Southern working stiff
who wants his woman ready with dinner when he gets home, a temper
like an asp and a K-Car in the driveway. All I could think of was
his character from Six
Feet Under, which suited him much better. He should be playing
psychotic intellectuals (like in SFU) or like hipster dudes.
He and his southern accent just came off as fake. And his character
and dialogue was straight out of the starter's guide to abusive husbands.
The character was written as subtly as Freddy Krueger. It's funny
that this was such a miss, as the casting of the rest of the film
was terrific. Shelly was great as the mousy waitress co-worker of
Russell's, as was Cheryl Hines as her other brassy co-worker, who
was clearly based on the Flo character from Mel's diner (and Shelly
on Vera). Nathan Fillion is an underrated actor, who's hangdog looks
make him look like a slightly confused Jason
Bateman. He's very good as the awkward gynecologist with a heart
who eventually becomes our heroine's paramour. It's nice to see an
actor actually pull it back and not go for the laugh or the big scene,
but rather keep in the flow of the movie and maintain. I'm sure the
most common thing people mention about this movie is the use of the
voice-over asides, which involve Russell's character dreaming up pies
to make to fit the situation. So there's 'I hate my husband' pie and
'Gotta poop' pie. Okay, that second one is fake. These are kept up
consistently throughout the first half of the film, but are all but
dropped the second. These little things seem so integral to our character's
personality that it's jarring to all of a sudden be shut out from
her thoughts. Bad editing perhaps? More likely a freshman filmmaker
whose career was cut tragically short. [airplane]
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