Director: Paul
Greengrass | Starring:
Matt Damon, Julia Stiles, David Strathaim,
Scott Glenn, Albert Finney, Joan Allen
Released: 2007
| Runtime: 115m
| Rating (out of 5):
**** |
|
Picking up right where
The Bourne Supremacy left
off, Jason Bourne is thrown right into the fire when someone somewhere
is sharing CIA secrets with a British reporter about the reconstituted
Treadstone program (now called Blackbriar) that first spawned the
likes of Bourne and his group of political assassins. The reporter
happens to also mention Bourne by name in his article, and the CIA
folks start to get itchy. So in a matter of "supreme" coincidence,
Bourne is looking to get to the source of the reporter's stories,
convinced that this person can help unlock more of his shady past,
all while the CIA has pinned the leak of secrets squarely on Bourne
himself. So while Bourne is looking for the real source, they think
he is the very source he's looking for. Everyone, including a reluctant
Joan Allen, who is brought in track Bourne, seems to forget that he
has amnesia, but whatever. In any case, Bourne needs to get to the
reporter, who is also being followed by the CIA. Then the CIA, in
a pretty absurd scene (although shot in an amazing way--enough to
earn the film an Oscar nomination for editing), a CIA agent assassinates
the reporter, missing Bourne, in the middle of a crowded London train
station. How that wouldn't set off an international incident is beyond
me. So now it's up to Bourne to find the source himself. So it's a
race between him and the guys trying to kill him to find what they
want. All the while Bourne is having flashbacks of his indoctrination
into the program, and is using this as a motivating factor. His nemesis
during this is David Strathaim, who plays douchebag with amazing aplomb.
Joan Allen is skeptical, once again, of Bourne's guilt, and Julia
Stiles' character surfaces again (again, in a terrific case of coincidence)
as a sympathetic conspirator and eventual entangled party. Meanwhile,
Bourne drives motorcycles around third world countries and has one
of the zaniest car chases in Manhattan I've ever seen. There are fight
scenes that rival some of the best out there, and even a scene where
he runs up the escalators at the Port Authority that my desk jockey
ass climbs every day. Greengrass has a frenetic style that never quite
allows you to see exactly what's going on, and really keeps you on
the edge of your seat. Hell, he even managed to reanimate Albert Finney
at the end of the movie. Watching some of the extras on the DVD really
gives you a great deal of appreciation for the amount of work that
goes into these things. Shit, Matt Damon spent two days in a little
bathroom for a fight scene throwing punches and kicks and getting
his ass beat. It's going to be hard to watch him in anything else
now, as I'll always be expecting him to lash out with a lightening
quick chop to the neck. Despite the grand sets, exotic locales and
explosions this still somehow feels like a smaller movie to me. I'm
not sure why that is, but I'm just assuming it's just a Michael Bay/Jerry
Bruckheimer hangover. Once again these guys have made a solid action
movie that doesn't smirk at itself (as many big action films do these
days), but at the same time it's clear the filmmakers are trying to
stay true to the character and the genre. [DVD]
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