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(2007) rt:115m ****
Director: Paul Greengrass
Starring: Matt Damon, Julia Stiles, David Strathaim, Scott Glenn,
Albert Finney, Joan Allen
Picking up right where The
Bourne Supremacy left off, Jason Bourne is thrown right into the
fire when someone somewhere is sharing CIA secrets with a British
reporter about the reconstituted Treadstone program (now called Blackbriar)
that first spawned the likes of Bourne and his group of political
assassins. The reporter happens to also mention Bourne by name in
his article, and the CIA folks start to get itchy. So in a matter
of "supreme" coincidence, Bourne is looking to get to the source of
the reporter's stories, convinced that this person can help unlock
more of his shady past, all while the CIA has pinned the leak of secrets
squarely on Bourne himself. So while Bourne is looking for the real
source, they think he is the very source he's looking for. Everyone,
including a reluctant Joan Allen, who is brought in track Bourne,
seems to forget that he has amnesia, but whatever. In any case, Bourne
needs to get to the reporter, who is also being followed by the CIA.
Then the CIA, in a pretty absurd scene (although shot in an amazing
way--enough to earn the film an Oscar nomination for editing), a CIA
agent assassinates the reporter, missing Bourne, in the middle of
a crowded London train station. How that wouldn't set off an international
incident is beyond me. So now it's up to Bourne to find the source
himself. So it's a race between him and the guys trying to kill him
to find what they want. All the while Bourne is having flashbacks
of his indoctrination into the program, and is using this as a motivating
factor. His nemesis during this is David Strathaim, who plays douchebag
with amazing aplomb. Joan Allen is skeptical, once again, of Bourne's
guilt, and Julia Stiles' character surfaces again (again, in a terrific
case of coincidence) as a sympathetic conspirator and eventual entangled
party. Meanwhile, Bourne drives motorcycles around third world countries
and has one of the zaniest car chases in Manhattan I've ever seen.
There are fight scenes that rival some of the best out there, and
even a scene where he runs up the escalators at the Port Authority
that my desk jockey ass climbs every day. Greengrass has a frenetic
style that never quite allows you to see exactly what's going on,
and really keeps you on the edge of your seat. Hell, he even managed
to reanimate Albert Finney at the end of the movie. Watching some
of the extras on the DVD really gives you a great deal of appreciation
for the amount of work that goes into these things. Shit, Matt Damon
spent two days in a little bathroom for a fight scene throwing punches
and kicks and getting his ass beat. It's going to be hard to watch
him in anything else now, as I'll always be expecting him to lash
out with a lightening quick chop to the neck. Despite the grand sets,
exotic locales and explosions this still somehow feels like a smaller
movie to me. I'm not sure why that is, but I'm just assuming it's
just a Michael Bay/Jerry Bruckheimer hangover. Once again these guys
have made a solid action movie that doesn't smirk at itself (as many
big action films do these days), but at the same time it's clear the
filmmakers are trying to stay true to the character and the genre.
[DVD, MF]
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