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(1999) rt: 118m **½
Director: Phillip Noyce
Starring: Denzel Washington, Angelina Jolie, Queen Latifah, Michael
Rooker, Ed O'Neill
It's amazing the promotions machine
behind this movie didn't shout to the rafters the fact that director
Phillip Noyce was the culprit behind not only Sliver, but
the impossibly bad The Saint. Unfortunately for Noyce, he hits many
of the same snags he did with those other movies, a weak plot and
the need to fill time with useless shots that add nothing to the movie
but cheap jumps and sappy imagery. Examples of this are this are totally
ridiculous shots of a weird monkey figurine with a noose around its
neck hanging from the rearview mirror of the killer's cab and a stupid
slow motion Peregrine falcon shot that is supposed to symbolize Lincoln
Rhyme's (and don't get me started on that name) symbolic flight from
his paralyzed state. First, the monkey figure has no significance
other than letting the audience know it's the killer's windshield
through which we're looking a certain points and, second, the falcon
is a groan-out- loud cheesy attempt at imagery. Ugh, I can only hope
the studio made him put the shot in there. In my Hitchcock class in
college, we talked about the difference between a twist ending and
a surprise ending. A twist ending allows you to look back through
the movie and say to yourself., "Damn, that makes sense, how did I
not figure that out!" A surprise ending means the scriptwriter wasn't
smart enough to figure out a way to mask the killer's identity enough
to not allow the audience to figure it out, and then, Surprise!, uh,
this guy is the killer! These kind of endings usually end in shootouts,
and you could care less about the guy who ended up as the guy who
dunnit. Welcome to the ending of The Bone Collector. I didn't
care, except for the fact the city Syracuse is mentioned three times
in the span of ten seconds. Anyway, Angelina Jolie is going to get
a lot of work from this movie, and if Phillip Noyce isn't married,
I have a feeling I know who would be first on his wish list. There
are several times during the film where the camera just lingers on
close-ups of Jolie's sensuous face for what seems like an obscene
amount of time. The movie, based on a book, has much the same feel
as The Alienist but without its sophistication and intricate plot.
It also has the feeling of a watered-down Seven, but less
stylized and dark. All in all, the film has a very Hollywood feel
to it, and leaves you wanting more. [MF, movie theater]
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