Director: Kerry
Conran | Starring:
Gwyneth Paltrow, Jude Law, Giovanni Ribisi,
Angelina Jolie
Released: 2004
| Runtime: 106m
| Rating (out of 5):
**½ |
|
I'm a little torn about
this movie. I've spent many wasted hours writing reviews railing against
technology and fake-ass CGI scenery. I think I may have even praised
Michael
Bay (gasp) for using real cars and stuntmen and explosions rather
than depending on some geek with a fancy Mac to make his heroes look
heroic. This movie was literally nothing but computer generated images.
I mean, the only thing separating this and Shrek
was a few actors and some plot points. Watching the DVD extras, they
did cheat a little bit, building one set for an office scene, but
otherwise every single thing in the movie (with the exception of those
pesky actors) was created on a computer. Said actors did their acting
in front of green screens; flying imaginary planes, sitting at imaginary
tables and holding imaginary guns. It's a truly amazing feat, really.
Despite this, the film manages to avoid that clean, computer generated
sheen that something like the second Star Wars trilogy exuded.
It came off more like a living World War II propaganda poster, or
a dark comic book. That's not to say it looked fake per se, but everything
was super stylized. While watching the thing, one can only be amazed
by the detail that appears despite the illustrated nature of it. It
turns out that kind detail doesn't come easy, as there were (according
to the DVD extras) a bunch of people working on the film for over
two years non-stop. It's honestly a pretty insane thing. They show
whole rooms covered with hand drawn illustrations of scenes and robots
and planes and laser guns. As art, this is a really cool movie. As
a movie, it suffers from the same thing that makes it so unique. Like
a lot of hyper-stylized period films (Hudsucker
Proxy, for one), there seems to be a little heart missing.
The Paltrow and Jude Law characters are less real people than cookie
cutter 1940s film noir fighting couple copies. Do they hate each other,
or love each other? Maybe both. The difference is that Conran isn't
the writer that someone like Billy
Wilder is. His snappy dialogue and character interaction feels
more like an homage than the genuine article. It feels like he's taking
old lines from the movies and making them worse somehow. It ends up
that Paltrow and Law and Ribisi are basically cartoon characters in
a big, beautiful cartoon. Now that I'm kind of going down this avenue,
I think I'll go back to my usual bitching and say that it's almost
impossible to make a film that is emotionally engaging completely
on computers. There is something antiseptic about it--and nobody can
get emotional about pixels. Acting in front a green screen may sap
actors of their emotion as well, or maybe it's just a crappy script,
but there just didn't seem to be anything behind this thing. How are
you going to act scared of a giant robot when there's nothing there
but some grip on a ladder? I know that's called "acting,"
but I have a feeling the new mantra for the 00s is going to be to
never act with kids, dogs or computers. [DVD]
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