Director: Frank
Miller, Robert Rodriguez | Starring:
Jessica Alba, Rosario Dawson, Benicio Del
Toro, Clive Owen, Elijah Wood, Bruce Willis, Mickey Rourke
Released: 2005
| Runtime: 124m
| Rating (out of 5):
** |
|
Let's start this off
with the admission that I don't know anything about graphic novels.
Shit, I still called 'em comics until about eight words ago. I seem
to recall something about a Nazi-hunting mouse or something from my
childhood, but I'm otherwise completely unengaged with the genre.
Frank Miller might as well be the dude who painted my living room.
I do know Rodriguez as the overrated spawn of Quentin
Tarantino and the director of such mind-expanding films as Spy
Kids 3-D and The
Faculty. So, those of you who saw this movie, please raise your
hands if you couldn't help but continually think of Who
Framed Roger Rabbit while watching this thing. It's not only the
weird animation hybrid action and the lurching way cars jump hills,
but also the plot. Although in this film the 'toons are hookers--but
why split hairs? It also reminded me very much of the video game Max
Payne, but that's probably not coincidental. Like most comics
and/or film noir-ish films, the filmmakers mess with the movie's timeframe.
I'm not talking about the plot timeline per se (although that does
happen here), but rather the era in which the thing takes place. Cell
phones make an appearance, despite the fact most everyone drives cars
from the 50's and has the hairstyles to match. I guess it's just the
fake retro of the great detective novels. Much like another green
screen hybrid, Sky
Captain and the World of Tomorrow, too much attention was paid
to the look of the film and not enough to the plot and character development.
The graphic novel aspect does make some of the characters literally
seem two-dimensional, but that doesn't mean the filmmakers couldn't
have fleshed out some of the more interesting aspects of the character's
personalities and plot points. Has anybody noticed that Michael Madsen
can't act? That guy has less range than a Derringer. Granted, the
movie is filled with the stilted language of a comic/detective story,
but somehow Rosario Dawson makes her lines sound good. In fact, as
the head of the hookers, Dawson is the most believable, most charismatic
of all the characters in the movie. I've honestly not seen her in
much, but was impressed with her screen presence and likeability.
The chances of me seeing Rent
are like nil, so I guess I'll have to wait around for her to show
up in something else watchable. It'll be interesting to see what they
do for Sin
City 2, and if Mickey Rourke manages to keep his shit together
long enough to come back as the fantastic, prosthetic Marv in all
his warped glory. Maybe they'll learn from their missteps in this
one and put something together that is both fun to watch and substantial
at the same time. [DVD]
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