Director: John
Waters | Starring:
Edward Furlong, Christina Ricci, Lili Taylor,
Martha Plimpton
Released: 1998
| Runtime: 87m
| Rating (out of 5):
*½ |
|
Is it my imagination
or has John Waters been making the same movie for the past 15 years?
He's the only director in Hollywood that can illicit such poor performances
from his actors. I know he is trying to be campy and make a statement
about something or other, but his "John Waters" characters, while
trying to be satirical, have become satires of themselves. What was
once witty and cutting edge is now tired and annoying. He is trying
to continue in a genre that has passed him by, as other indie film-makers
have discovered how to write quirky characters that still have depth
and sincerity. Do we care about Pecker and what happens to him? About
as much as we care about what happens to our soapsuds after we wash
them down the drain. Waters' statement about how the resistant artist
is destroyed by fame and money falls way flat and if Martha Plymton
(as Pecker's ultra-annoying sister who MC's at a gay strip club) had
one more minute of screentime, I was going to throw my shoe through
the TV. The same man who once had a three hundred pound tranvestite
eat steaming shit from a dog's ass now thinks we're going to be shocked
by a talking statue of the Virgin Mary, a guy who likes to say pubic
hair and an art critic who likes to have men's balls bounced on his
head. Ohhh, shocking! I kind of equate Water's films with the B52's:
at first the songs are kinda fun, but with each play you start to
notice Fred Schneider's voice more and more until the songs are unbearable
and you want to just make it go away. . . [videotape]
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