Director: Jason
Reitman | Starring:
Ellen Page, Michael Cera, Jennifer Garner,
Jason Bateman, Allison Janney, J.K. Simmons
Released: 2007
| Runtime: 96m
| Rating (out of 5):
***½ |
|
Sometimes I feel like
all the joy has gone out of my life. Not my actual life-life, mind
you, but my movie-watching life. Movies that seem tailor-made for
me fall flat, themes that should set my heart aflutter and my head
spinning off its axis (in a good way) just flounder and flop like
a trout on Mars. It's almost, dare I say, intimidating being me. It
seems that I can only enjoy films that come out of left field; movies
that I know next to nothing about that can get me to hit that extra
asterisk character on my keyboard and bestow upon it the completely
uncoveted Mr. Hipster star.
So here comes the unstoppable hype machine that is Juno.
You have the Academy Award nominated teenager, best selling twee soundtrack
and an incredible amount of positive word of mouth promotion. The
theme seems a little risqué--until you consider the message.
Don't let the evil butcher baby-killing abortionists have your baby.
Instead, give it to a loving family. I'm sure our religious nutjob
friends saw past the pre-marital, teenage pregnancy issue (after all
who gets knocked up more as unwed teenagers than right-wingers) to
the deeper message that abortion is murder and keeping babies is what
god would want.
Granted this thing was written by a former stripper, so I don't think
she was pandering to the "Christians" or anything, but these
are the same people who twist the words of Jesus so that 'turn the
other cheek' means 'god hates fags.' Now that I've digressed by raising
a total non-issue, I'll get back to the movie.
First, the best thing about the film is the performances. Everyone
in the thing is spot on. It's good to see J.K. Simmons not being all
whitepower-ish and raping dudes in jail or snarling at Peter Parker.
Turns out he's pretty good at playing a dad. Allison Janney, while
still a stork of a woman, is probably the best thing in the movie,
playing Juno's role model stepmother. The praise of Ellen Page is
certainly warranted, as she delivers one of those wry performances
that is definitely steeped in wisdom beyond her years. And Michael
Cera is awesome in his usual awkward bumbling way.
The real push and pull of the film happens between Juno and the Jason
Bateman character, the prospective adoptive father of her unborn baby.
Juno's father has a pretty laid back attitude about her upbringing,
trusting her to make adult decisions on her own. She has no real insight
into how difficult adult decision-making can be, but is instantly
drawn to Bateman's character, who once had the dream of being a rock
'n' roll guitarist. Through this they have a shared ambition. She
feels in him she's learning what it means to once be a child and have
childish dreams, only to jettison them in favor of adult responsibility.
She respects him and in him sees what she hopes is her future self.
But, as we know, there is no hero worship without ultimate disappointment.
And it is often in those you don't necessarily understand at first
that you find the greatest strength.
I think the overall tone of the film is great, and a lot of the writing
is smart and even semi-subtle in places, but the thing sort of falls
down in terms of construct. The purely linear manner in which the
story is told just feels too conventional for the story. I'm honestly
not even sure that's the exact issue, but something just didn't completely
click with me. It could be the inexperience of a first-time writer,
but this thing was just inches away from being a four-star gem. [DVD]
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