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(1996) rt: 101m ***
Director: Paul Thomas Anderson
Starring: Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel
L. Jackson
Tagline: When good luck is a long shot, you have to hedge your bets.
From the director of Boogie
Nights and Magnolia comes his little seen debut, that
actually has a different title in most of its mentions, Sydney.
This film has the look and feel of an independent film from the very
beginning, as we see John (John C. Reilly -- Dirk Diggler's porn buddy
in Boogie Nights) sitting in a lump next to a lonely diner
outside of Las Vegas. Actually, is it my imagination, or do all cool
indie films have to have a scene in a diner with two dudes smoking
cigarettes? Anyway, John has gambled away all of his money trying
to get enough cash to have a burial for his recently deceased mother.
Along comes Sydney (Philip Baker Thomas), the grizzled old gambler
with a mysterious past. He feels for John and promises to teach him
how to work the tables and get himself a free room, some cash and
the same pathetic life he has led. The more I think about this film,
the more similar to Boogie Nights it becomes. John is very
much in the Eddie Adams/Dirk Diggler mold, an innocent who just wants
to please everyone -- a victim of his own situation. He is brought
into this pathetic world of low-rent gamblers by the king of the low-rent
gamblers. It's a small group of specters who troll the shabby Las
Vegas casinos betting on everything from craps to Keno, not really
making any money, not really losing any. It's a sad lonely world,
where the players have an inflated sense of their place in the world.
Anderson shoots the movie in such a way that we feel there are very
few people in any of these casinos, almost as if all the occurrences
in the movie only take place through the eyes of four of five characters.
So while John plays the Dirk Diggler character, Sydney plays the Jack
Horn/father figure character, who seems to have everything going for
him inside this little nothing world in which he lives. Enter the
Rollergirl character, Clementine (Gwenyth Paltrow), who instead of
playing the innocent porn star plays the innocent hooker. Much like
Rollergirl, she's as soft as a hooker can be, doing it for all the
right reasons, but ashamed all the same. So, John learns the ropes
and falls into a life in the casinos with Sydney. We then flash forward
two years and John has become a regular in the scene and has partnered
up with another old pro named Jimmy (Samuel L. Jackson). We're not
actually sure what Jimmy does for a living, but he drives a Cadillac
and never seems to be short on cash. He also dresses like a blaxploitation
star and carries a gun. He plays the Reed Rothchild character from
Boogie Nights (the role that John Reilly played), as the
guy who's been around and buddies up with the innocent to kind of
take over the tutelage where the father left off. Philip Baker Hall
is one if those character actors that has been around for a while
and seems to be everywhere and nowhere. He speaks very softly and
rarely wavers from a monotone grumble. We know his character has a
shady past and has done something unforgivable, but we aren't clued
into what that might be until near the end of the film. He somehow
looks guilty the entire movie without ever saying anything, as if
the weight of his past has been pressing on him for thirty years.
We are never told why he picked up John that day from the diner, why
he decided to take him under his wing until this past act is revealed.
It is this twist that is supposed to shock us, but we're not really
that surprised. It's not that Anderson gives it away, but it just
doesn't hit us hard enough. Anyway, Paltrow gets into some trouble
with one of her clients (even though John has begged her to stop hooking
because he loves her) and, of course, things end up getting violent.
I know I mention this in almost all my comments, but I am getting
really sick of someone needing to get shot at the end of every single
independent movie! Anyway, see the movie if you are into character
studies and don't mind some stilted dialog and a lot of slow, moody
scenes. [MF, videotape]
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