Director: Michel
Gondry | Starring:
Jim Carrey, Kate Winslet, Elijah Wood,
Mark Ruffalo, David Cross, Kirsten Dunst, Tom Wilkinson
Released: 2004
| Runtime: 108m
| Rating (out of 5):
****½ |
|
Charlie Kaufman is the
most creative screenwriter around. He's like Philip K. Dick without
the drug addiction and odd juvenile streak. Granted, Dick was a book
author, and not a screenwriter, but his works have produced some of
the coolest mindfuck movies of all time, including Bladerunner,
Total Recall and Minority Report. Kaufman's scripts
are just as high concept, but are generally executed on a much smaller
stage. I can't imagine any actor not wanting to be in a film penned
by him. His characters are quirky and full of life, and the plots
are just so twisted. Eternal Sunshine is no exception. From
the first minute one can't help but be riveted. He basically one of
those plot devices where they show you the end first and then take
you on a ride as to how the characters ended up there. Of course this
is no Carlito's Way where, using that example, guy dies in
the end (in this case, thankfully, it was a horrible Al Pacino). No,
Kaufman makes you question what the hell is going on and then reveals
what's going on, but still doesn't show his hand from scene to scene,
so the end is still somewhat of a mystery even though you already
saw it. And the direction of Michel Gondry; Holy Crap, what a visually
stunning film. Apparently the French still have some talent in that
department. From what I know of the guy, he's a music video director,
but he made one hell of a movie. There's a scene where a house completely
deconstructs (for lack of a better word), which is worth the price
of admission alone. Almost the entire movie takes place in Jim Carrey's
head as he has memories of his girlfriend, Clementine (Kate Winslet),
erased from his mind by some wacky doctor. And the reason he's having
the memories erased? Because she had him erased first. So this is
ostensibly a love story--kind of a love story in reverse. Carey and
Winslet seem like an odd couple both from a casting and character
perspective, but it works somehow. And everyone in the movie is great,
as Kaufman's writing really gives the actors a natural feel to them.
In other words, it never feels like the actors are acting. The ultimate
theme of the movie is about starting over, getting a second chance--something
which seldom happens. It's about fate and the power of love--no matter
how it chooses us, it chooses us. This film demonstrates why films
are made, how they can be pieces of art while still being soulful
and entertaining. It's the kind of thing every film school geek dreams
of making; the one you use as the epitaph chiseled into your headstone:
"Hey, at least he made a great fuckin' film!" [DVD]
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