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(2000) rt: 101m ***½
Director: Mary Harron
Starring: Christian Bale, Willem Dafoe, Jared Leto, Chloë Sevigny,
Reese Witherspoon
Tagline: Killer looks.
Nothing used to make me laugh more in college than
drunken group-readings of Brett Easton Ellis' American Psycho.
The man writes like a retarded chimp, and the book is basically a
self-indulgent study on all the ridiculous, high-end 80's merchandise
he can cram into an overly long tale of debauchery and slaughter.
This shit is funny when you're drunk, but just plain bad when your
head stops spinning. Where Ellis lacked the skill to get his social
message across (I think he enjoyed the skull-fuck scenes entirely
too much), the movie nails them on the head. Thematically similar
to Fight
Club in an "wake-up society" kind of way, this movie also hits
some of the same pitfalls. Once you've gotten across the "consumerism
has invaded us, and blinded everyone to the true nature of people"
message, you are left with filling in a plot. As noted earlier, this
movie concentrates a lot less on the actual blood and guts of the
novel, and adds some humor and sly commentary into its dialogue. I've
read a bunch of theories about the end of the movie and all the wackiness
that makes up the last 10-15 minutes or so, but I still have no idea
what the hell is going on when this film ends. It's as if the writers
said to themselves, "OK, we've made enough film now, we'll just have
the whole thing go haywire and let the audience sort it out." The
first hour of the film is so tight and funny, and you just know if
they could have tacked on a decent unambiguous ending to it, this
would have been one of the best films of the year. I could just feel
it. Oh well, nothing's perfect. Anyway, the movie's about this Wall
Street trader, Bale/Patrick Bateman, who "works" for his father's
firm. Actually, he just sits around his desk all day doing nothing.
He has also started to murder people--presumably to pass the time.
Nobody seems to notice or care that he does no work and keeps women's
head in his fridge. He is so exactly like the other guys he works
with, people constantly confuse him with other traders, including
Paul Allen/Leto. Granted, they do sort of look alike, but the whole
point is that we are all surface creatures who are too concerned with
ourselves to notice what the hell anybody else is doing, or even who
they are. Bateman is a porn obsessed, beauty product obsessed man
of the 80's who only shows emotion when somebody has a more aesthetically
pleasing business card than he does. Then he shows the one emotion
he knows, murderous rage. Sevigny plays his naive secretary, who has
a crush on him, but is the only person in the entire movie who seems
to genuinely care what happens to him. Dafoe plays a private detective
looking for Paul Allen, who seems to have disappeared. Some of the
funniest scenes in the movie are between Bale and Dafoe. Bateman/Bale
is the worst liar in the entire world, and constantly makes up horribly
unbelievable lies to everyone he talks to, including Dafoe, as he
questions him about Allen's disappearance. He makes excuses to his
fiancée (Witherspoon) that wouldn't fool a five-year-old, but
nobody seems to care or call him on it. The funniest thing is seeing
the fear in Bale's eyes when he lies, knowing he is terrible at it.
Several times during the movie he even says things like "You are a
fucking ugly bitch and I want to stab you to death and play with your
blood" directly to people. They laugh it off. Issues like this add
to the ambiguity of the ending, and make you wonder if anything you
just watched was supposed to be for real, or just in Bateman's head.
Unfortunately, there wasn't enough evidence anywhere in the movie
to give you an answer one way or the other, and left me unsatisfied.
Maybe I'll have to go back for a second viewing. I wouldn't mind,
as it was a really cool looking movie (especially on widescreen DVD)
and raised some great issues, even the debate about which Huey Lewis
album was the greatest of all time. [DVD, MF]
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