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(2000) rt: 122m ****½
Director: Cameron Crowe
Starring: Billy Crudup, Frances McDormand, Kate Hudson, Jason Lee,
Patrick Fugit, Philip Seymour Hoffman
Tagline: Experience it. Enjoy it. Just don't fall for it.
Every guy (and most women) dream at some point
of standing on stage rockin' out to thousands of adoring fans. Those
of us with little or no musical talent eventually come to terms with
its impracticality (of course that never stopped Ringo) and decide
that being a rock journalist would afford us some of the same thrills
and not cause our fingers to bleed. Cameron Crowe has lived this dream,
touring with all the biggest bands of the early seventies--and all
while still a young teenager. It's a great story, and certainly the
kind of thing that would make a good movie. And it does. The great
thing about Cameron Crowe movies is that you can tell he really loves
his characters. No matter how flawed, how egotistical, how completely
devoid of normal human emotion, he creates them lovingly and intricately.
He pours on the schmaltz, but we never feel he's going for the cheap
emotion. Now he takes the character of William, his alter ego, and
puts him through the same sort of events he went through when he was
William's age. Amazingly, it isn't really a story about William, but
about all the people around him and what their lives turn into because
of Rock 'n Roll. It's kind of a giant tribute film to all those people
who were part of his growth experience. Frances McDormand does a great
job as his overly protective, vegetarian mother. Her part is written
with tons of care and love. His sister is the rebellious older teen
who gives him the gift of rock music. Again, a giant thank you to
her. The best character in the whole movie is Lester Bangs, the editor
of Creem magazine, who gives William his first shot at rock
journalism. Bangs is his mentor, his angel, and his voice of reason.
Crowe really dedicates the film to him. Bangs is just like William/Crowe,
the world's biggest music fan who must write about the frailties of
the rock stars they idolize. If you didn't know this was based on
a true story, some of the plot would seem a little ridiculous. Why
would Rolling Stone hire a journalist site unseen for a cover
story on a band that nobody seemed to know. William seems to give
very little indication to Ben Fong-Torres (the R.S. editor who has
some of the best lines in the movie) about what he plans to write.
Well, it did happen, so we'll have to take Crowe's word for it. So,
William goes on the road with Stillwater, a fictional band somewhere
along the lines of Creedance Clearwater Revival and immediately becomes
sucked into the rock 'n roll lifestyle. Not to say he gets into drugs
and chicks, but he is awed by the freedom and the starpower music
gives people. Billy Crudup should have been considered for an Oscar
for his portrayal of the band's lead guitarist and songwriter, Russell
Hammond. He is the charismatic head of Stillwater who charms everyone
he meets, and becomes the love interest of Miss Penny Lane (Kate Hudson),
who is one of the industry's most famous band-aids. Band-aids claim
to be more than groupies, but are really just road girlfriends for
the members of the band. They claim they are more than groupies, because
they aren't in it to sleep with rock stars, they're in it for the
music--they're fans. One of my favorite actors plays the lead singer
of Stillwater, Jason Lee. While Lee will probably never win any big
awards for his acting, he always brings tons of personality to every
part he plays (see Chasing Amy/Mallrats). Not bad
for a former professional skateboarder. Anyway, William goes on the
road with the fledgling band, much to the dismay of his mother, and
endures fights, love, deflowering at the hands of several lovelies,
etc. So, to sum up, before this thing gets out of hand, Almost Famous
is basically a giant, well-written love letter to everyone who introduced
Cameron Crowe to music and love. Again, it's always nice to see a
script that actually had some time put into it. [movie theater, MF]
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