Director: Cameron
Crowe | Starring:
Billy Crudup, Frances McDormand, Kate Hudson,
Jason Lee, Patrick Fugit, Philip Seymour Hoffman
Released: 2000
| Runtime: 122m
| Rating (out of 5):
****½ |
|
Every guy (and most
women) dream at some point of standing on stage rockin' out to thousands
of adoring fans. Those of us with little or no musical talent eventually
come to terms with its impracticality (of course that never stopped
Ringo) and decide that being a rock journalist would afford us some
of the same thrills and not cause our fingers to bleed. Cameron Crowe
has lived this dream, touring with all the biggest bands of the early
seventies--and all while still a young teenager. It's a great story,
and certainly the kind of thing that would make a good movie. And
it does. The great thing about Cameron Crowe movies is that you can
tell he really loves his characters. No matter how flawed, how egotistical,
how completely devoid of normal human emotion, he creates them lovingly
and intricately. He pours on the schmaltz, but we never feel he's
going for the cheap emotion. Now he takes the character of William,
his alter ego, and puts him through the same sort of events he went
through when he was William's age. Amazingly, it isn't really a story
about William, but about all the people around him and what their
lives turn into because of Rock 'n Roll. It's kind of a giant tribute
film to all those people who were part of his growth experience. Frances
McDormand does a great job as his overly protective, vegetarian mother.
Her part is written with tons of care and love. His sister is the
rebellious older teen who gives him the gift of rock music. Again,
a giant thank you to her. The best character in the whole movie is
Lester Bangs, the editor of Creem magazine, who gives William
his first shot at rock journalism. Bangs is his mentor, his angel,
and his voice of reason. Crowe really dedicates the film to him. Bangs
is just like William/Crowe, the world's biggest music fan who must
write about the frailties of the rock stars they idolize. If you didn't
know this was based on a true story, some of the plot would seem a
little ridiculous. Why would Rolling Stone hire a journalist
site unseen for a cover story on a band that nobody seemed to know.
William seems to give very little indication to Ben Fong-Torres (the
R.S. editor who has some of the best lines in the movie) about what
he plans to write. Well, it did happen, so we'll have to take Crowe's
word for it. So, William goes on the road with Stillwater, a fictional
band somewhere along the lines of Creedance Clearwater Revival and
immediately becomes sucked into the rock 'n roll lifestyle. Not to
say he gets into drugs and chicks, but he is awed by the freedom and
the starpower music gives people. Billy Crudup should have been considered
for an Oscar for his portrayal of the band's lead guitarist and songwriter,
Russell Hammond. He is the charismatic head of Stillwater who charms
everyone he meets, and becomes the love interest of Miss Penny Lane
(Kate Hudson), who is one of the industry's most famous band-aids.
Band-aids claim to be more than groupies, but are really just road
girlfriends for the members of the band. They claim they are more
than groupies, because they aren't in it to sleep with rock stars,
they're in it for the music--they're fans. One of my favorite actors
plays the lead singer of Stillwater, Jason Lee. While Lee will probably
never win any big awards for his acting, he always brings tons of
personality to every part he plays (see Chasing Amy/Mallrats).
Not bad for a former professional skateboarder. Anyway, William goes
on the road with the fledgling band, much to the dismay of his mother,
and endures fights, love, deflowering at the hands of several lovelies,
etc. So, to sum up, before this thing gets out of hand, Almost Famous
is basically a giant, well-written love letter to everyone who introduced
Cameron Crowe to music and love. Again, it's always nice to see a
script that actually had some time put into it. [movie theater]
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