Director: David
Cronenberg | Starring:
Viggo Mortensen, Maria Bello, Ed Harris,
William Hurt
Released: 2005
| Runtime: 96m
| Rating (out of 5):
**½ |
|
I'm going to make a
weird comparison here. Actually, it's not that weird; more like a
little bit awkward. This movie reminds me of a poorly recorded good
album. It's like the idea and the execution was good, but some engineer
twiddled this knob too far to the left and that too far to the right.
The end result is a great gem that is muddled in its own sound. Of
course you can see your way through the mud to the base underneath,
but the whole leaves you with a dull ache and not much more. If only
the production could have sparkled. If only the film could have gotten
out of its own way. It's as if Cronenberg purposely dialed it back
for fear he would actually come away with a commercially viable product.
Nobody wants to be accused of selling out and making a mainstream
film, but this one was aching either for a little more or a lot less.
If I didn't know this was based on a graphic novel, I would have thought
the characters where a little too over the top, but with that knowledge
in hand, I feel like he should have either pushed that feel a little
more, or played it completely straight. What we end up with is a middling
attempt at cartoonish violence mixed with graphic sex and real emotions
in a story about obviously fictitious crime syndicates and baddies.
It's just weird. The plot, in its basic sense, is pretty similar to
A
Long Kiss Goodnight. Could this seemingly normal family man
and all-around popular do-gooder possibly be the ex-killer that some
claim he is? If so, is he lying about his past, or has he just forgotten?
Nobody knows, including the viewer. There actually isn't a whole lot
of surprise when his true identity is revealed, but it provides a
nice second act. Mortensen is a really low-key actor; choosing to
let his face show his emotions rather than blathering on and on like
a latter-day Al
Pacino or Nicolas
Cage. This could, of course, be intentional, or just a general
lack of emotion. Either way, he does a decent job as a guy who is
obviously both ice cold and caring at the same time. It is that duality
that makes these kinds of stories interesting--but not particularly
original. Bello, as his wife, does a great job of acting tortured,
horrified and repulsed, and there couple of sex scenes are honestly
pretty passionate. The best part of the movie is actually William
Hurt. In a pretty cartoonish roll as Mortensen's gangster brother,
Hurt completely steals the second half of the movie with his mumbly
monotone delivery and funny squinting shtick. It's hard to divorce
William Hurt from the character, but he really shows his good timing
and great screen persona. So, if you don't mind some silly plot lines
and a few scenes of blood squirting from people's eyes, this is probably
worth a rental. I can't help but express my disappointment, though,
as it should have been much, much better. [DVD]
|
|
|
Booze
& Grub
Reviews of New York City's most popular (and least
popular) bars and restaurants. |
Hipster
Book Reviews This much ignorance
about literature can only lead to hurt feelings and a whole lot of
nonsense. |
Music
Check out the albums that have left Mr. H with permanent hearing loss in his left ear, but a song in his heart |
|