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I should have known
after reading the sequel to this book, Independence Day,
that this book was going to be nearly as much of a downer as that
one. Granted, I should have read them in order, but such is life.
This book finds our protagonist divorced and struggling to reconcile
his life over Easter weekend. This main character is oddly passive
about his situation, often speaking like a man straight out of a Carver
shirt story, with no connection to the situation in his life. The
only time we see any of his anguish is in his internal dialogue, which
too seems stunted. It's intentional on the part of Ford to make the
character as odd as he is, and it works incredibly well, as we are
affected by his bizarre "the glass is half-full, I guess" attitude.
People are always telling him what a wonderful man he is, but he doesn't
think he is. Everyone thinks his job is glamorous. He thinks it's
something he just fell into to pay the bills. His feelings are all
jumbled and misplaced and it's painful at times to watch him operate,
but certainly fascinating. The plot is practically non-existent, but
there is a death, a suicide, a gay love affair, some cheating and
a trip to Detroit--a city which our protagonist calls beautiful for
some reason. The dialogue is the most telling characteristic in this
novel, and our main character's strange habit of always mentioning
the person's name he's talking to in every exchange with that person.
There's an overwhelming sense of loneliness here--a feeling shared
by almost everyone we run across. It's a book about how different
people deal with it.
Other titles by Richard Ford:
The
Lay of the Land
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