
Buy on Amazon
|
Trying to describe this
book is somewhat akin to trying to describe color to a person blind
since birth. The adjectives are all there in my head, but when I utter
them out loud, they make no sense. The narrative is burned into my
memory, but almost impossible to describe. Perhaps that's because
I’m not smart enough to get it, or maybe the book is just a mess?
Whatever the case, the author clearly had a vision, I'm just not sure
that vision was clear.
The plot, on the surface, seems like something you've heard a million
times. Think Memento
or any number of books and movies where our lead character wakes
up with no memory of who he is, but has, in preparation for this event,
had his former self leave clues as to how to get to the bottom of
who he is/was. Why these former selves can't just be out with it is
beyond me, but then the mystery wouldn't be that great, would it be?
In this case our character has had a bout of what essentially amounts
to PTSD and has woken up devoid of his memory of self. But rather
than suffering a blow to the head, or a shock from the physical world,
he has been attacked by a conceptual shark. A what? I know, I know.
He finds, through notes and mailings from his former, non-amnesiac
self (the first Eric Sanderson), that there are steps to go through
in order to recover his memory/memories. He is lead to a shrink, who
has treated him after prior attacks (maybe) and is eventually lead
by his old self to set up these weird thought loops using tape recorders
and whatnot to protect himself from the return of the hungry conceptual
shark.
And then he goes on what is essentially a giant scavenger hunt, searching
out his past, all while trying to avoid being eaten by this shark
that either is or isn't real. And some enemies who either are or aren't
real. He gains a traveling partner in a woman who is familiar with
"unspace," which is where he must go to discover his past.
Unspace is basically the negative space left by actual objects like
streets and buildings and whatnot--essentially sewers and crawl spaces
and service tunnels. He is in search of a Yoda-like character (in
terms of knowledge, not stature and greenness) in unspace who he thinks
can help him work through his issues. All the while, even when travelling
with this beautiful, hard rapscallion chick, he has flashbacks about
a girlfriend that he once had who drowned while on vacation with him.
And, of course, avoiding this giant fish who is not made up of cartilage
and teeth, but words and letters (as illustrated, literally, in the
book by what is basically ASCII art). This surreal business with the
shark and the world of words that he inhabits is the hardest thing
to swallow. It's just on the other side of making sense, and I feel
like the author got about 90% of the way there in explaining it. So
close, but instead of being interesting at times it's just distracting.
Of course my interpretation of this whole deal is probably off. I
imagine the shark in fact eats memories. Memories of things you did,
people you love, who you are. And the first Eric Sanderson either
invented or purposely threw himself to this shark in order for it
to eat his memories of his dead girlfriend. But I’m not sure why.
I mean why destroy the only thing you have left of the woman you love?
Or was the plan to have the fish eat his memories to take away the
pain? And if that was the case, why did the second Eric Sanderson
go in search of the answers and/or memories? The whole thing was kind
of cool, I guess, but I ultimately didn’t quite get it. I did notice
that the last bunch of the book is a direct rip (intentionally, I’m
sure) of the plot of Jaws.
Which is really weird. Just like the rest of the book. Oh, did I mention
the chick that Eric is hanging out with, Scout, is part of a giant
Internet consciousness of this dead rich guy who has attained immortality
by spreading his knowledge to thousands of individuals who upload
their experiences daily to a huge database? Yeah, I thought not.
|