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by Michael Chabon
In a word (or two or three): the beginnings of a Pulitzer mind at
work
From Mr. Hipster:
Michael Chabon likes themes. He likes the outsider
surrounded by outsiders. I read Wonder Boys a while ago,
skipping Chabon's first novel to concentrate on what I thought would
be a more mature story. As it turns out, I was correct--I just had
no idea that I'd be reading what amounted to a very similar follow-up
to his first book. Reading the Mysteries of Pittsburgh,
I recognized not only characters from Wonder Boys, but
from Kavalier & Clay as well. It's as if he used his
initial book as a character study to develop personalities that
he later turned into his best-selling sophomore effort and his Pulitzer
winning third book. There's tons of sexual confusion. There are
carefree characters that are debonair and damaged. There are strong
women who end up the suffering martyrs of confused and confounding
men. There is tons of selfishness, self-absorption and debauchery.
Overall, I can't say that I really liked the book, but it certainly
presented an intriguing character study. I have yet to figure out
why authors feel the need to include graphic sex in their novels.
Don't get me wrong; I'm not a prude, but what ever happened to subtlety?
If I want gay porn, I'll pick up a copy of Oily Bohunk
or something. I guess I just didn't understand the character arc.
I'm not sure where exactly our main character goes. I understand
he comes to a realization, and sort of makes a choice (although
a wishy-washy one), but the end result is desperately depressing,
and sadly disappointing.
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McSweeney's
Mammoth Treasury of Thrilling Tales (editor)
McSweeney's
Enchanted Chamber of Astonishing Stories (editor)
The Yiddish Policemen's Union |
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