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by Rick Moody
In a word (or two or three): mongols with forked limbs and stuff give me literary wood.
From Mr. Hipster:
I've only read one Moody book and seen
one film based on one of his books. Purple
America was a book filled with some sad shit. The
Ice Storm was a creepy suburban nightmare that added the term
"key party" to my vocabulary and summarily electrocuted Spider
Man. Neither of them really prepared me for the post modern social
commentary, anti novel that was more David Foster Wallace or Martin
Amis than the Jonathan
Franzen that I was expecting. Larger than life characters that
are still humanly flawed dot this story that lampoons and spits venom
at the entertainment industry in buckets. The book should have been
titled We're All Whores: Making it in the Industry. One can't
help but think that Moody must have based his characters and experience
on something out of his real interactions with this crowd. The megalomaniac
producer with a donut addiction, the self-conscious action film star
who just wants to write something meaningful, the Sikh car service
driver who wants to take the television industry by storm, the gaggle
of assistants who have all slept with said action star, and the alcoholic
mother who picks up cell phone conversations in her head. This is
but a smattering of the key characters in the story. And, of course,
all these characters are in the midst of crisis of varying degrees.
What they all have in common is that they have lost their way. Whereas
they once had goals and a grounded basis in their lives, things have
gone terribly awry for one reason or other. There are plots and subplots
that tie together in a loose kind of way. Some plot lines go places,
and others don't. It's as if Moody was given a page limit (in this
case around 600 pages) and had to stop writing and wrap everything
up before his limit expired. The thing was infinitely readable--if
not a little all over the place--and I could have hung out for another
couple hundred pages so he could have eased into the ending, but what
the hell do I know? The engine driving the plot to some extent is
a fake script treatment based around a giant epic about multi-generational
diviners. Sounds awful, right? Well, that's kind of the point. One
of the assistants in the production office, along with the aforementioned
action star create some fake coverage on a non-existent script that
creates tons of industry buzz, and sets off a whole series of events
in and around the lives of the book's characters. And thus the satire
and social commentary. Taking the book in parts, I enjoyed Moody's
writing, and he's really good with the character development, but
overall the thing just didn't hang together all that well. I've actually
already gone out and bought The Ice Storm, as I've always
wanted to read the words that inspired the ultimate tale of Connecticut
dysfunction.
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The Ice Storm
Purple America |
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