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by Will Self
In a word (or two or three): i know this thing is going to be risky
From Mr. Hipster:
I read a Will Self book many years ago,
and to tell you the truth, I understood about every other word. The
guy's vocabulary is absolutely ridiculous. I could have sworn he was
making up half the words I was seeing. The only thing more abstract
than his syntax was the oddball characters and ideas he presented.
And here we go again... This is not your typical kind of book. It
is abstract and twisted. It sounds as if it bubbled from the head
of a man on serious narcotics, or seriously in need of some. The strange
thing about this book is that for all his amazing knowledge of the
language, his dialogue involving the main character, Lily Bloom, an
American Jewish woman, is neither very convincingly Jewish nor American.
He misuses a Yiddish expression at one point and has very British
sayings and words come out of Lily's mouth. Granted, she's supposed
to have live in London for some time before her death and rebirth
in the afterlife, but I found some of these "gaffs" rather jarring.
Anyway, that's me just being a pain in the ass. Basically we see Lily
in her death, trying to make her way through the world of the dead
in a little known and little-seen 'burb of London called Dulston.
Her life as a dead person seems to fall right in line with her life
as a living entity. She is not motivated to either improve or alter
her situation in this existence, much as she sleepwalked through her
days as a wife and mother in her living life. She's actually a pretty
miserable person both in life and in death and, great for us, we get
to watch her mope around for several hundred pages. Regardless, there
are some interesting and bizarre ideas in this novel, including the
dead having to live with these creatures called "the fats" which are
manifestations of all the weight a person gains and loses over their
lifetimes. She also has to live with a pop-singing calcified fetus
and her dead son who is naked, smeared in mud and runs around shouting
the "n"-word to everyone he sees. Unfortunately, she still has to
work and pay taxes, but can't feel or touch anything, making sex and
any kind of human contact useless. She can't even enjoy the cigarettes
that killed her or the food that was the bane of her existence while
alive. She has this aboriginal "death guide" that shows her around
and has to watch her living, drug-addicted daughter visit the dead,
drug-dealing ghoul upstairs in her apartment house. All in all Self
is quite a satirist, but a lot of it is lost on me. I mean, I understand
what he's getting at, but I'm not sure I care.
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