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I learned a little bit
about the art of the graphic novel through Chris Ware and his Jimmy
Corrigan: The Most Fuckin' Depressing Kid on Earth. Who knew comics
could do anything beyond showing chicks in giant breastplates and
dudes in capes and tights? And don't even get me started on Family
Circus.
My second dive into the "serious" graphic novel came courtesy
of my book club at work, and this little selection, which was originally
published in French. I know you're saying to yourself, "Damn,
a comic book about a French kid and his epileptic brother, and the
effect of his illness on his French family (who, by the way, speak
French)? Sign me right the hell up!" Despite sounding like the
winning answer to the challenge, "Name the most god-awful reading
experience you could possibly imagine," this thing was actually
a decent approximation of the wacky autobiographical slice of life
memoir that we're all used to reading. The closest novel I can think
of in terms of comparison would be
Running With Scissors. Granted, there are no drawings in that
book, but both deal with the familial drama in a way that makes the
horrific reality of their situation a little more bearable for the
reader by interjecting a sense of humor about their lives.
Here, our protagonist, David B., is the unfortunate victim of his
older bother's severe epilepsy. At some point their crew was a normal
French family with three kids (two sons and a daughter), with the
sons running around the alleys of their town playing and just being
boys. And then the fits start. The neighborhood kids, who once thought
of the local Muslim dude as the boogeyman, now regarded David's brother
as the pinnacle of evil. Obviously it was just kids being kids, but
the impact was swift and immediate. Their parents took their son to
doctors to determine what the issue was. And when the doctors couldn't
do anything for their son, they went to a healer. And when the healer
couldn't help them, they moved onto a macrobiotic commune, and then
put their son in the hands of any number of gurus and swamis and mediums
and whatnot, each time uprooting the family and involving their other
two children in whatever the latest treatment happened to be going
on for their sick son.
All the while, David B. fought with his loneliness and isolation.
He knew nobody and had nobody to talk to about how his brother's illness
was destroying his life. Through amazingly detailed illustration David
shows what is going on in his mind--all the weird invisible bird-headed
friends he invented in his brain all sketched in his drawing journal.
He struggles with black thoughts of his brother's death, and the guilt
he sustains in sometimes wishing him harm. He almost can't take the
embarrassment at his brother's reluctance to even stick up for himself
against his little brother, or the lack of will to do anything with
his life.
I honestly don't know a lot about illustration, but I can imagine
that this stuff took absolutely forever. The drawings are intricate
and complex and really amazing to look at. There stuff is very totemistic
and Egyptian God-like. There are swirling ghosts and faces in the
back of every illustration. And, amazingly, the story is compelling
in its weirdness for the very fact that the illustrations add a layer
that wouldn't otherwise be there in a traditional novel. Sure, the
great dialogue you'd see in a normal memoir isn't quite as strong
when being presented in speech bubbles, but the peek into David's
dark and confused mind via his art more than makes up for it.
For any folks out there biased against the art of the graphic novel,
know that I too thought not long ago that only the mentally deranged
and kiddie-touchers bought these wacky comic books. Now I know that
the right authors can work magic with their pens, and can tell a fully
fleshed out story that can be both deep and intriguing.
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