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Delillo is often a tough
sell. Everything is metaphor and high-minded social commentary--the
earmarks of post-modern literature. Of course this is almost the old
definition of the word; kind of the eighties definition of post-modern.
It's hard to explain, but it seems that most of the stuff I've read
in the genre since White Noise has become more subtle somehow,
less black and white. Delillo's characters are men of extremes. They
have huge appetites and huge brains. They have see-sawing, but dramatic
convictions and balls of brass. They have whole universes spinning
within the interior dimensions of their lives. This book is a perfect
example of the power of Delillo's world view. Encapsulated within
Eric Packer's cork-lined limo is the entire rise and fall of the dotcom
bubble--the beginning and end of a very limited era. A blip on the
screen of American history, completely devoid of character, depth,
staying power or subtlety. Unfortunately for Delillo, these adjectives
can also describe Cosmopolis. Delillo seems to be riffing
in this one. His protagonist, Packer, is about as well defined as
a Jackson Pollack painting. Maybe this is on purpose--but most likely
not. Even if this is supposed to represent the shallow nature of the
time, we need more from our writers than a cursory examination of
the thin, metal skin surrounding a bubble of a fairy tale that burst
before it even got to the surface. The entire story takes place in
one day as our billionaire friend Packer rides across town in his
limo to get a haircut. We all know the traffic in Manhattan can get
a little crazy, but even with a presidential motorcade, an anarchist
riot, several hotel trysts, a crazed stalker and some gunplay, it
seems a little ridiculous that it takes them an entire day to drive
from Park Ave. to Tenth Avenue. Rather than seeming like a great allegory,
this thing just seems over the top and too long, even at only 224
pages, for its own good.
Other titles by Don Delillo:
The Body
Artist
Falling Man
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