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Jim Crace is quite the
writer. This being his debut outing, it's even more impressive for
its ability to elicit some feeling deep in my core that I don't recall
feeling since reading The Martian Chronicles as a kid. The
two books, not to mention the writing, actually have more in common
than I had thought about until this very instant. The Martian
Chronicles took place on Mars (duh) and this grouping of short
stories all take place on an imaginary seventh continent. That continent
is both foreign and familiar--a combination of aboriginal Australia,
Russian gulag and Mark Twain, small town superstition and competition.
It's a combination of the real world with a little hop to the right.
I can't really put my finger on what makes Crace's writing so engaging.
Perhaps it's my long and winding love affair with post-modernism and
its snark and inner voice. This book had none of that. It's good old-fashioned,
but immensely smart, storytelling. Crace creates a world unto itself,
completely divorced from the wah wah of the self-pitying, whining
headwinds of the modern author, modern society's present issues and
modern man's petty concerns. Things are just as they are; people around
this strange continent trying to survive, live their lives as people
do, but with a modicum of innocence in and amongst the inhabitants
of this sometimes violent and flawed landscape.
Crace relays this rough country across his seven stories using short bursts of prose, his language measured but packed with power. The book itself is so short, and I actually enjoyed it so much, that it may be one of those I may pick up again in the future when my bookshelf is exhausted. After all, who doesn't love stories about magic freemartin milk, imprisoned dissidents, epic footraces, native human breeding, lost languages, the wonder of electricity and silver mining? And this, my friends, is why I don't write for a living.
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