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I must admit that I
first became aware of this book because of the movie whose commercials
reminded me of Children of Men. Granted, I didn't end up
really lovin' that movie, but I did really like the idea behind it.
Likewise, the plot of this seemed allegorical and sci-fi enough to
fly. I didn't up seeing Blindness in the theaters, but in
looking for new books to buy, I came across the novel, which, to my
surprise won the Nobel Prize for literature (or, more properly, its
author)!
I swear I had been up and down the National Book Award and Nobel lists
a million times, and don't recall this guy. I must have dismissed
him outright at some point because he writes in Portuguese. Yeah,
I definitely had a bias against translated novels at some point in
my life. I'm not sure why, but my ethnocentrism seems to have mostly
evaporated. Mostly.
Taking place in some city in some unnamed country (but presumably
somewhere akin to Lisbon), all of a sudden people start going blind.
We first encounter patient zero as he sits stunned at a traffic light,
a bright white light invading his field of vision, plunging him not
into darkness, but into a world of never-ending whiteness. He is helped
home by a stranger who promptly steals his car. This patient zero
ultimately goes to the eye doctor, who can't figure out what's up.
And then the doctor goes blind, along with every patient in the doctor's
office over the next couple days. They all find themselves, along
with some others, thrown into an old mental hospital by the army.
And so begins the tale that is so familiar to us all about the end
of the world--or what we can only assume is the end of the world.
Of course we have no concept if the blindness exists outside of this
small-ish group, as they are sequestered away from the rest of the
world. Yet another pretty common plot device, but interesting in the
microcosm it creates. We see the world within the asylum grow and
morph and eventually devolve into chaos and depravity. The interesting
plot twist, of course, is that amongst the blind is one woman who
can see. She is immune to the disease for reasons we never really
find out, but keeps this fact a secret throughout her time in the
asylum.
Eventually the army piles more internees into the hospital to quarantine
them from society. Then things start getting completely out of control
when the food dries up, as one wing full of men hordes the rations
and starts demanding the women from the other wings as payment. There's
some stabbing and burning and things basically go to hell. Ultimately
we find out the army has gone, and that the world beyond the hospital
has also gone blind. The book turns into a mini-version of 12
Monkeys, Outbreak, Night of the Comet, I
Am Legend, and The
Road--pick your poison. Everyone is starving, and everyone is
blind. Except our one woman, of course. It's a bizarrely frustrating
feeling. We basically see our little group wander around for the rest
of the book trying to get back to their apartments and eat, and, well,
that's it.
The book had very good potential, and while its author did win a Nobel
Prize, I didn't find it the most artful thing in the world. Maybe
something was lost in the translation (after all, there's a note that
the translator died part way through his work), but there were some
sections that were pretty flat and repetitive. The whole book is told
in a weird kind of voice that is almost part omniscient narrator and
part reporter. It's unclear whose voice we're really hearing, as the
shifts are sometimes jarring when the author lapses into commentary
that seems really out of place in the context of the apocalyptic tale.
There's also a lot of reference to defecation, filth and general muck.
I suppose it would be a pretty stinky world when there's no running
water and nobody can see where he or she's pooping, or has a change
of clothing. I'm not sure it's all the crap, but the book tends to
bog down in weird details that really give away the fact this thing
wasn't written by a native English speaker -- or at least a North
American. I can't really describe it, but there's a fixation in the
book that is particularly European (non-UK Europe). Ultimately, I'm
just not sure what the point of this thing was, but perhaps it's because
I am an ethnocentric American and don't get the whole politics
and history of the thing.
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