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It's clear that this
is the same man who wrote The
Wind-Up Bird Chronicle. The pervasive themes of isolation, loneliness
and disenfranchisement in a weird world in which our protagonists
barely fit are more than coincidental. In this case our guy isn't
even named, and seems to just float from place to place like a sheaf
of paper, smoking a trillion cigarettes, eating to subsist and making
moves at the whim of everyone but himself. He is merely a pawn in
a scheme that needs that blank canvas in order to work. If he were
to actually question his direction, things would fall apart. After
all, if you were told by a mysterious man that your life would be
ruined unless you found him a sheep in the Japanese countryside somewhere
(on particular sheep in a nameless range), wouldn't' you question
the validity and reasoning behind it? Our guy has packed it in, given
up, just gone South. His life has ceased to have direction or meaning,
so I guess this quest for the mysterious sheep has at least given
him a goal. Murakami literally does describe every cigarette he lights
up, every meal he downs and each beer he pops open. Maybe this is
just his way of showing the mundane features of everyday life. It
really is in a lot of ways like Carver's characters and the rote of
the nightly drinking and small talk with the wife. It's all just sad.
I honestly had no idea that Japan had such varied terrain, as Murakami
describes oceanside towns, snowy mountains and countryside. I mean,
I guess I knew all that, but for some reason I just picture the whole
country looking like Blade Runner. It is hard at times to
connect with Murakami's protagonists. Aside from the fact the poor
guy has no name, he is a bit of a robot, who has desire only when
certain stimulus is involved (the ears of his girlfriend), is generally
emotionless (his wife leaves him to his utter indifference) and has
no motivation beyond finding a sheep for a man he doesn't even know
or see. This is another story that kind of hits you after you finish
it. While you're reading it, it's a bit mundane at times, and a little
too fantastical at others, but afterwards--when it truly sinks in--you
can take it at its whole and realize that this is a story that really
holds together and makes sense in the context of its own mysticism.
Other titles by Haruki Murakami:
Dance Dance Dance
Hard-Boiled Wonderland at the End of the World
Kafka On the Shore
The Wind-Up Bird Chronicle
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