
Buy on Amazon
|
Suicide is not really
that funny--at least not in that haha kind of way. It is, however,
the subject of an attempt at a witty book. I say attempt because it
has become less and less clear with each novel whether or not Nick
Hornby knows how to write "witty" anymore. Each book sinks further
and further into the pit of sentimentality; abandoning the swagger
of High Fidelity. Sure there were hints of it in that book,
but now it has been turned on full force. Granted, it's so much better
than How to be Good that I want to hug the guy and welcome
him back to the world of the living novelist. So the gist of this
one is that four disparate characters all meet on New Year's Eve on
the roof of a hotel famous for its suicidal leaps. They are all there
for the purpose, but for very different reasons. We spend the rest
of the book following them around and figuring out why they wanted
to do themselves in. The whole thing turns out to be an extended version
of the "opening up" scene in The
Breakfast Club. And we learn that some have issues akin to failing
shop because their elephant lamp didn't work, while others had the
equivalent of the drunken dad flicking lit cigarettes at their heads.
The loose plot is based on these differences and how four very different
people can help one another discover that they actually want to live.
I know I said it was sentimental, but I guess that's a bit of an overstatement.
It's, I don't know, just a little too clean around the edges. It's
alternately told from each character's perspective; the disgraced
celeb, the middle-aged church-goer with a dependent son, the American
ex-rocker and the rebellious teen daughter of the politician. We rotate
through their thoughts as they trade narrations, but by the end there
seems to be some homogeny of mind. It's not as if they all walk away
with "Don't
You Forget About Me" playing over the credits or anything,
but there is certainly a nice character arc for each participant.
In retrospect, I guess Hornby manages to soften the hokey edges enough
to redeem it from the cheese pile, but if things could have been just
a bit darker and more bitingly funny, this thing would have felt a
little less like a movie staring Colin
Firth, Helen
Mirren, Josh
Hartnett and Anna
Paquin, and more like an adventure into the minds of the deliriously
wacky occupants of London.
Other titles by Nick Hornby:
Juliet, Naked
The Polysyllabic Spree
|